
                1679 & 1680
              Antique Chinese Silk Kesi Textile We Two Panels 1800-1900 A.D
               Size 44" x 13"
                Size 112 x 33cm
              Top Image is Detail
              
                Asian Textile History
              Kesi (simplified Chinese) 缂丝 traditional Chinese 緙絲 pinyin kèsī K'o-ssu in Wade-Giles  is a technique in Chinese silk tapestry. It is admired for its lightness  and clarity of pattern. At first, this technique was chiefly used to protect  scrolls containing paintings. It was also employed as a support for paintings,  later going on to become an esteemed art form. This art form especially  flourished between the eleventh and thirteenth centuries. 
The Sogdians from Central Asia during the mid-1st  millennium brought their art and technique of textile tapestry to China (the  Sogdians established flourishing communities throughout, and by the 6th  century, their textile patterns were already being seen in China, and it is  through this Silk Road influence, resulted in what became known as  "kesi". During the Song dynasty, the art of the "kesi"  reached its height. 
It is a tapestry weave, normally using silk on a small scale  compared to European wall-hangings. Clothing for the court was one of the main  uses. The density of knots is typically very high, with a gown of the best  quality perhaps involving as much work as a much larger European tapestry.  Initially used for small pieces, often with animal, bird and flower decoration,  or dragons for imperial clothing, under the Mind Dynasty it was used  to copy paintings.
"Kesi" means "cut silk", as the technique  uses short lengths of Weft thread that are tucked into the textile.  Only the weft threads are visible in the finished fabric. Unlike continuous  weft brocade in 
k'o-ssu each colour area was woven from a separate bobbin,  making the style both technically demanding and time-consuming.
Kesi  first appeared during the Tang dynasty (618–907), and became popular  in the Southern Song dynasty (1127–1279), reaching its height during the Ming  dynasty (1368–1644). The style continued to be popular until the early  20th century, and the end of the Qing dynasty in 1911–12
  